A Programme of Absolute Disorder: Decolonizing the Museum - Paperback

by Françoise Vergès (Author), Paul Gilroy (Foreword by), Melissa Thackway (Translator)

"A complete overhaul of the Western museum tradition"--Publishers Weekly

"An impressive critique of the universal museum as complicit in the damages inflicted by colonial power"--Isaac Julien, artist and filmmaker

"Should fascinate anyone interested in social justice, post-colonialism and the arts"--Euronews

"Powerful and so relevant"--Diacritik

The Western museum is a battleground--a terrain of ideological, political and economic contestation. Almost everyone today wants to rethink the museum, but how many have the audacity to question the very idea of the universal museum itself?

In A Programme of Absolute Disorder, Françoise Vergès puts the museum in its place. Exploring the Louvre's history, she uncovers the context in which the universal museum emerged: as a product of colonialism, and of Europe's self-appointed claim to be the guardian of global heritage.

Vergès outlines a radical horizon: to truly decolonize the museum is to implement a "programme of absolute disorder", inventing other ways of apprehending the human and non-human world that nourish collective creativity and bring justice and dignity to the dispossessed.

Françoise Vergès is a political scientist, activist, historian, film writer, and public educator. She is the author of A Decolonial Feminism and A Feminist History of Violence. She is also a senior research fellow at the Sarah Parker Remond Center for the Study of Racism and Racialization, University College London.

Author Biography

Françoise Vergès is a political scientist, activist, historian, film writer, and public educator. She is the author of A Decolonial Feminism, A Feminist History of Violence, and A Programme of Absolute Disorder. She is also a senior research fellow at the Sarah Parker Remond Center for the Study of Racism and Racialization, University College London. She lives in Paris. Paul Gilroy is a renowned sociologist, historian, and cultural theorist recognized for his pioneering work on race, Black diaspora, and postcolonial culture. He is the author of The Black Atlantic, amongst other classics. Melissa Thackway is an independent researcher and translator. She lectures in African Cinema at Sciences-Po and INALCO in Paris. Her recent translations include A Feminist Theory of Violence by Françoise Vergès, Contemporary African Cinema by Olivier Barlet, Tropical Dream Palaces: Cinema-Going in Colonial West Africa by Odile Goerg, and African Diasporic Cinema: Aesthetics of Reconstruction by Daniela Ricci.